Blurred Definitions of Affect and Emotion
Blurry and confusing definitions are the stock-in-trade of psychologists, just as they are of many other scientists. Perhaps you have noticed that I have been guilty of using the words 'affect' and 'emotion' rather loosely. I'm not the only one. Similar to many other areas of psychology, emotion researchers are far from decided and united on where to draw the lines, and, indeed, if lines can or should be drawn at all.
Panksepp (2000) offers the following delineation:
- Emotion is the umbrella term for all of the behavioural, expressive, cognitive and physiological changes that occur.
- Affect is the conscious experience of an emotion.
- Emotional affect is the unconscious component of emotion.
- Non-emotional affect is rather a vague term that just includes everything that isn't an emotional affect, e.g. nausea and pain. [I don't agree with Panksepp here, how can pain be considered non 'action-promoting'?]
Emotional affect, then, is what Panksepp dismissively refers to as "...'spooky' mental issues..." (Panksepp, 2000:50) and what LeDoux (1996) calls the proper and necessary subject of emotion research.
The well-known neurologist and emotion researcher Antonio Damasio has suggested the following taxonomy:
- A state of emotion can be started and executed unconsciously.
- A state of feeling is unconscious.
- A state of feeling made conscious which is the emotion and feeling made conscious (I think!)
- Affect, then, is the conscious experience of emotion.
Different purposes require different definitions and Panksepp and Damasio have different purposes for their definitions. That said, there are considerable differences. For example, Panksepp thinks affect is both conscious and unconscious, Damasio think it is only conscious (or nonconscious as he writes). Panksepp thinks emotion is an umbrella term for everything, Damasio thinks it describes only unconscious aspects. And, as each of them is grappling with these vague concepts, just like the rest of us, they are both correct, for their own purposes.
To take a third example, perhaps more typical, Davidson (2003) appears to use the words 'affect' and 'emotion' interchangeably.
"Sin 2: Affect is subcortical. There is a tendency among some investigators to regard emotions as largely subcortical and to sometimes also assume that cognitions are cortical." (Davidson, 2003:129, emphasis added)
Incidentally I'll be returning to this article to talk about the seven deadly sins of emotion researchers.
Given the state of confusion over meaning, I'm forced to reserve judgement over the 'correct' definition of affect and emotion. I'd like to go along with the dictionary definition of 'affect' as a "Feeling or emotion, especially as manifested by facial expression or body language" (Dicitonary.com) but, clearly for psychologists and those in related fields, the word's technical usage has yet to settle down.
Damasio, A. (1999). The Feeling of What Happens: Body Emotion and the Making of Consciousness. London: Vintage.
Davidson, R. (2003). Seven sins in the study of emotion: Correctives from affective neuroscience. Brain and Cognition, 52(1), 129-132.
Panksepp, J. (2000). Affective consciousness and the instinctual motor system: The neural sources of sadness and joy. The Caldron of Consciousness: Motivation, Affect and Self-organization, Advances in Consciousness Research. Amsterdam: John Benjamins Pub. Co.

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I do enjoy reading your blog, it is very educative and applicable. however some articles might go too deep that make me hard to understand...can you use simply language in your next post? that will help the laymen like me easier to receive your view...thanks~
I'm glad you enjoy the blog. OK, I will see what I can do to keep it clear. Can you tell me: is it particular psychological terms that are confusing or the overall use of language?
Thanks for your response. the overall use of language is a bit complecated to me. because when i enjoying reading your post,i am also learning psychology from you, if the language you use could keep in simple and go with example, it will be more fun and make sense to me~:) thanks~~~~
This is a question that may be relevant to all studying contemporary art theory (like myself), but specifically with regard to acoustic effects which are very often a part of so many contemporary musical practices.
There are obviously many ways of describing these experiments in which the sound actively engages with various elements of our perceptual body map, reconfiguring it at whim, making it more subtle, re-shaping it in a variety of ways.
More specifically, when, say, I "feel" my stomach resonate along with some acoustic effect, which term would best describe the resulting (rogue) awareness? using damasio's taxonomy would that be affect or still sfmc? is there am actual way of knowing where one ends and the other begins?
Many Thanks,
Andrew Magergut
Andrew, interesting question, to be honest reading back this post 6 months after I wrote it, I'm none the clearer what these definitions are referring to.
Are you actually referring to an emotional effect though here when you say your stomach is resonating?
I enjoyed your blog, it really made me think about my own view of emotions and would have to say that in my own experience emotions are hard to define and can be very misleading. In studying my own emotional responses I have found that my emotions effect at least 80% of my actions and responses. I am trying to put some order to my own understanding of how I work emotionally as a person. I really appreciate that you make it clear with out much jargon...Thanks
Anon, thank you, glad you're enjoying it.
Jeremy,
Thanks for your reply, which I had missed unfortunately.
Emotional yes, but I also meant a range of physical symptoms one experiences alongside emotion: music vibrates, resonates, physically entangles the body. So, it could be a symptom resulting from an emotional stimulus combined with, say, vibration or resonance. With various music styles and acoustic arrangements, music is an embodied symptomatic experience as never before.
Obviously, this is nothing new: cf http://www.amazon.com/Boccherinis-Body-Essay-Carnal-Musicology/dp/0520240170