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	<title>Comments on: Meaning and Memory in Gesture</title>
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	<link>http://www.spring.org.uk/2007/05/meaning-and-memory-in-gesture.php</link>
	<description>Understand your mind with the science of psychology -</description>
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		<title>By: Amy</title>
		<link>http://www.spring.org.uk/2007/05/meaning-and-memory-in-gesture.php/comment-page-1#comment-25718</link>
		<dc:creator>Amy</dc:creator>
		<pubDate>Fri, 17 Apr 2009 16:46:57 +0000</pubDate>
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		<description>I learned alot..</description>
		<content:encoded><![CDATA[<p>I learned alot..</p>
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		<title>By: Amy</title>
		<link>http://www.spring.org.uk/2007/05/meaning-and-memory-in-gesture.php/comment-page-1#comment-25717</link>
		<dc:creator>Amy</dc:creator>
		<pubDate>Fri, 17 Apr 2009 16:46:41 +0000</pubDate>
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		<description>Very helpful(=</description>
		<content:encoded><![CDATA[<p>Very helpful(=</p>
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		<title>By: Chris</title>
		<link>http://www.spring.org.uk/2007/05/meaning-and-memory-in-gesture.php/comment-page-1#comment-19916</link>
		<dc:creator>Chris</dc:creator>
		<pubDate>Fri, 11 May 2007 18:13:00 +0000</pubDate>
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		<description>Meaningful or mnemonic, gestures aid performative communication. When storytellers captivate their audience with wild motions, the narrative explodes with animation. Those gesticulations tap into kinetic memory for the performer, but also encode them into the audience -- the punchlines felt. It&#039;s easier to remember a story that appears alive. So hands seem to work both ways: aid recall in the communicator, embed meaning for the communicated. Either way, it&#039;s all about remembering the presented information.&lt;br /&gt;&lt;br /&gt;I wonder how gestures operate without a prepackaged story to tell or information to convey? Just spontaneous generation, improvisation. Not recall. Do we wash our hands in the stream of consciousness? Do we motion to ourselves, alone, just to remember?</description>
		<content:encoded><![CDATA[<p>Meaningful or mnemonic, gestures aid performative communication. When storytellers captivate their audience with wild motions, the narrative explodes with animation. Those gesticulations tap into kinetic memory for the performer, but also encode them into the audience -- the punchlines felt. It's easier to remember a story that appears alive. So hands seem to work both ways: aid recall in the communicator, embed meaning for the communicated. Either way, it's all about remembering the presented information.</p>
<p>I wonder how gestures operate without a prepackaged story to tell or information to convey? Just spontaneous generation, improvisation. Not recall. Do we wash our hands in the stream of consciousness? Do we motion to ourselves, alone, just to remember?</p>
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